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From Calder to Kruger, the New Whitney Museum’s First Show
Installation view, Whitney Museum, with work by George Segal, Keith Sonnier, and Peter Saul, from left to right (all photos by the author for Hyperallergic) The inaugural exhibition at the new Whitney...
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Art, Religion, Commerce, and Other Fickle Forms of Devotion
Rachel Harrison, “Untitled” from ‘Perth Amboy’ (2001), chromogenic print, 12 5/8 x 18 1/2 inches, The Museum of Modern Art, New York, Committee on Painting and Sculpture Funds (image courtesy the...
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Hoarding and Spending at Art Basel Miami Beach
Rirkrit Tiravanija, “untitled 2018 (all hope abandon)” (2018), Beyeler Foundation (all photos by the author for Hyperallergic) MIAMI BEACH — The only time I attended Art Basel Miami Beach before this...
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How Painting Survives in the Digital Era
Cover of The Love of Painting: Genealogy of a Success Medium, by Isabelle Graw (image courtesy of Sternberg Press) Art historian and critic Isabelle Graw’s loquacious book The Love of Painting:...
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